ND auto lets you keep your ISO, shutter speed and f-stop locked and then the electronic ND will automatically make adjustments to keep your exposure correct. Reddit and its partners use cookies and similar technologies to provide you with a better experience. This allows you to control your camera and also control focus, iris, and zoom with a lens such as the new Sony FE C 16-35mm T/3.1 G E-Mount Lens. *S&Q 1-60fps and 100/120/200/240fps are available in these modes. Or do I need to print a timecode track to the audio channel? No audio on Sony PXW FS5 Mark ii using a Sennheiser ewG4 lavalier/lapel The PXW-FS5 is the PXW-FS7s little brother, offering many of the same options with a smaller, more compact form-factor. Given the FX6 has Cinetone, in theory, it should match up pretty well with the FX9. Once you have several camera models below a certain price point in your line-up you put yourself between a rock and a hard place. Use the condenser microphone included in the camera kit (side pocket of the bag). If you do prefer or value the addition of all of those fore-mentioned features I listed, then the FX6 does make a lot more sense if you are just doing video. The only way to get UHD 120P out of the FX9 is via the expensive and cumbersome XDCA-FX9 extension kit and record it externally to an Atomos product. Half the battle is being first to market and providing something your competitors dont. The quick switches for ISO and white balance make going in and out of different lighting situations easy. Any time we needed to use the menu it was fast and responsive. Sony offers a few better lenses for run-and-gun shooting and many other options for more controlled shooting situations. You could also compare it to older cameras like the Panasonic EVA1 as well. The Kinefinty MAVO LF and MAVO 6K S35 could also potentially join this conversation. . It operates fast enough that you dont think about it. The LCD for the PXW-FS5 is the same as the FS7, however unlike with the PXW-FS7 where it felt lightweight and cheap considering the cost of the camera, the LCD fit the smaller form factor better and felt more in line with the value of the camera. Because of its handle, it was easy to carry when not shooting. This product contains pre-installed software and requires the purchase of license keys to activate some functions. The Sony PXW-FS5 features an E-Mount, a 4K Super 35 Exmor Sensor, Smart Grip handle, EVF and LCD panel. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*. The PXW-FS5 doesnt have a short battery life like many mirrorless cameras and doesnt have any overheating issues, so continuous recording can last till the battery dies or your media fills up. What is quite strange is that the positioning of the sensor and the lens mount seems to be quite high up on the body of the camera. We use anonymous cookies to give you the best experience we can.Our Privacy policy | GDPR Policy, No audio on Sony PXW FS5 Mark ii using a Sennheiser ewG4 lavalier/lapel mic, 2023 - By CREATIVE COW LLC. It is also possible to record 120fps with up to 16-second cache recording. The power consumption of the FX6 is approx. As I have mentioned in recent articles, the camera market has started to divide into two key sectors; the under $10K category and the high end. Its main competition arguably comes in the form of the Canon C70, RED KOMODO, Z Cam E6-FF, and perhaps the older Panasonic EVA1. Its small size makes it suitable for solo operators, although, it may be a difficult camera to shoulder mount. This seems to be a reasonable price given its feature set. With this system, you can also do things like adjusting the depth of field in real-time as the variable ND will compensate automatically when you make changes to the f-stop. The advanced image stabilization information means handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look smoother. Monitoring live video from camcorders/recorders, Displaying the status of connected devices. Somy fs5 Timecode input : r/LocationSound - Reddit Despite offering similar sensors and a lot of similarities when it comes to frame rates and recording options, the FX6 is a video camera and not a hybrid mirrorless. If you have a great idea youd like to share with our readers, send it to editor@videomaker.com. We love the electronic ND filter and are impressed by the video quality captured externally. The internal capture was good, too, but video captured externally was exceptional. The FX6, at least in my opinion, pretty much offers everything that most users of a camera like this will need. Recording Format: XAVC Long, XAVC Proxy, H.264 / AVC, 4:2:0 8-bit, MP4 wrapper, AVCHD By utilizing this smaller megapixel sensor in the FX6, Sony can give you UHD at up to 120p with full pixel readout and no pixel binning. Headphone: 1 x Stereo mini jack The Sony FS5 is a lightweight camera with loads of options. The Type A card is the slowest of the three standards. Compared to these two cameras in this price range, the FS5 is a greater value and offers very few weaknesses when compared to both the C-100 Mark II and URSA Mini 4.6k. Maybe not, but it might just be everything you need. The FS cameras dont record audio channels in stereo pairs: Channel 1 is a mono track, Channel 2 is a mono track, etc., so youll need to route each mic to an individual audio channel. It will pick up room noise. Each are $500. I was wondering if anyone on this forum might assist me resolve this issue. Think of how a slide trombone works: It can slide through notes, offering everything in between. Its our most affordable Super 35-mm camcorder, but its fully upgradeable. When loaded with two cards, the FS5 can simultaneously record proxy files along with your desired resolution with the same name and timecode. Sony FX6; Sony FS5; The FX6 isn't a massive departure away from the form factor of the FS5. It can capture CinemaDNG and ProRes 444 internally. At the same time as the FS5 II was announced at NAB 2018, Apple announced ProRes RAW, made possible with a few partners including Atomos and the Shogun Inferno. Its easy to love this camera. 2 x 3-Pin XLR Mic/Line Level (+48 V Phantom Power) Input, Other I/O: 1 x RJ45 LAN, 1 x 2.5 mm Control, 4.38 x 5.07 x 6.79 / 111.3 x 128.7 x 172.4 mm (With Protrusions), How to Use Log Video to Gain More Control Over Your Image. Weight Body Only: 29.2 oz / 827.8 g I can still not comprehend why Sony requires FX9 users to use theXDCA-FX9extension ($2,495 USD) kit to output 16bit RAW so that can be captured to a compatible external recorder. With little investment needed for accessories, flash memory and batteries, its good to go straight from the store. Back at Videomaker world headquarters, we tested the FS5s low light capabilities. It records via SD card and is equipped with two card slots. When youre shooting lots of videos, you need XLR audio inputs, full manual control via external buttons and a record time limited only by the size of the media. Because if they didnt what would be the difference between the FX6 and the FX9? When you need dynamic range, shooting in log is the way to get it. Chris Monlux is a native of Northern California and is Videomakers Multimedia Editor. All of these components have been designed to be modular so you can strip the camera right down for certain applications. In my opinion, there is no such thing as future proof. * This makes the FS5 ideal for fast-moving shoots in changeable environments theres no need to change filters as lighting conditions change, and variable control makes it easy to keep depth of field under control. S-log2 offers more dynamic range to cameras with 14 stops of dynamic range or fewer. Key Features Ninja V+ 5.2" 8K HDMI Recording Monitor Accessory Kit with Batteries & Charger Screen Protector, Sun Hood, Travel Case Master Caddy II, SATA III Cable Add a full monitoring and recording kit to your camera rig with this Atomos Ninja V+ Deluxe Starter Kit put together by B&H. This will allow you to understand what kind of low light performance the camera offers. And once attached, the positioning of the screen can be freely adjusted for example, either beside the camera body or directly along the axis of the lens. On paper, the FX6 offers you higher frame rates in UHD than the more expensive FX9. This new processor is claimed to be 4x faster than the one that was used in the FS5. Atomos Ninja V+ Deluxe Starter Kit ATOMNPLAC1 B&H Photo Video FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design Odyssey 7Q. However, there is still very much a place for both of these cameras as the FX9 is more suited to being shoulder-mounted than the FX6 and it has the ability to shoot 4K in an S35 crop mode. Should you purchase the Canon EOS R8 for video? It offers wireless file transfers of full resolution via Wi-Fi to an FTP server, plus wireless streaming to MPEG TS receivers and computers for remote monitoring. On theCamera Statuswindow, you can change: On theAudio Statusscreen, you can adjust: On theOutput Statusscreen you can adjust: It is good to see Sony do this because lets be honest, no one likes dealing with endless Sony menus to make changes. **S&Q 1-60fps and 100/120fps are available in these modes, however, 100/120fps is not available when outputting RAW over SDI. Also available is FS5 II which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus an enhanced creative look. At the time this certainly helped with sales and early adoption. All of these cameras were released at a time when they didnt have any direct competition. Audio Input: 2 x 3-pin XLR The built-in microphone. This is something that we are now slowly starting to see appear on lower priced digital cinema cameras. There is also a ND auto button just like on the FX9. USB: 1 x Multi/Micro It has a power zoom function with a consistent aperture through the throw of the lens. The worst argument I always hear in regards to resolution is that I am future proofing my material. The FX6 can be used as your main camera, a B camera to the FX9, the A camera to a Sony a7S III, and so on. There are actually three different standards of CFexpress cards. While they have tried to differentiate the FX6 and the FX9 by using different sensors, the lines have been blurred and this may well-upset owners of the FX9. Is it everything on you want? During our tests using the Shogun Inferno, we determined we wanted the expanded recording capabilities more than the external monitor. However, if you have the storage space and the workflow to support shooting in 10-bit, its a very nice luxury to have. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows. Sony has officially unveiled the FX6, the third camera in its new Cinema Line. For this review we shot on two Sony U3 Class 10 SDXC I SD cards. This LCD screen can be moved around and positioned in a variety of places on the camera. Attaching the Microphone Setup Tentacle with Sony FS7 and audio timecode: Make sure your Tentacle device is running in "Green Mode". Eye-popping specifications and marketing hype sell cameras, and the FX6 certainly has a lot of that going for it on paper, despite the fact that it is only a 4K camera. For more information, please see our With the Shogun Inferno and an FS5 II, you can capture up to 10-bit ProRes RAW. Sony isnt discontinuing the FS5 M2 anytime soon. FS-5 Audio Channels : r/videography. MPEG HD422 and MPEG HD420 for broadcast applications. It is also possible to upgrade the FS5 for even greater creative flexibility. Below you can see what is possible to do. Sony touts 14 stops of dynamic range with the FS5 II. The only catch is that frame rates higher than 60 fps have lower and lower quality up to 960fps. Any of the cameras I have listed will get the job done in the right hands. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens. It drastically changes the center of gravity, so handheld shooting is much different with the monitor. The two big changes to the camera outside of unlocking available features are the new color science borrowed from Sonys flagship Venice cinema camera and a mechanical ND filter wheel along with the very useful electronic ND. Body, Lens & Accessories: 4.9 lb / 2.23 kg (with 18 to 105mm lens, lens hood, large eyecup, LCD viewfinder, top handle, grip). With patent issues prohibiting internal compressed RAW recording, the FX6 will only be capable of recording RAW externally. If its a video-centered interchangeable-lens camera you are after, the FS5 is best in its class. Despite a large range of full-frame mirrorless hybrids being available, the FX6 could arguably be considered the first truly affordable full-frame digital cinema camera from one of the large Japanese manufacturers. The Sony FS5 II is a small and lightweight camera that is ready for any shooting situation you throw at it. This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. 12.9 megapixels (total), 10.2 megapixels (effective) back-illuminated CMOS Exmor R 4K sensor. The picture quality is superb and the form factor is easy to use but those things dont come cheap. The PXW-FS5 is a more compact and far lighter camera than the PXW-FS7, coming in at only 1.76lbs. What we wed have really loved to see is the low light capabilities of Sonys a7S II put into a better form factor with easier controls and XLR mic inputs. Sony PXW-FS5 II review: Still awesome! - Videomaker RELAY mode automatically switches recording from the first to the second memory card when the first is full, while SIMUL mode permits simultaneous recording to two memory cards (for example, to create an immediate back-up version). Best Mirrorless Camera For Video: Panasonic Lumix S5 II Reviewed! According to Sony, by recording image stabilization information and using it on the Catalyst Browse/Prepare option, content creators can capture incredibly stable visuals even in handheld mode. ND Filters can also be set to auto. The grip offers a joystick for menu navigation and, of course, a record button. The size of the camera made it easy to pack and carry on to our flight. The larger screen is nice, but not always necessary. This doesnt mean you have to use the new cards, the camera is still backward compatible with SD UHS-II cards as well, however, you do need the faster CFexpress type A cards if you want to record frame rates over 100P. The ND makes keeping the shallow depth of field in high lighting situations a cinch. We felt that the ND being linearly adjustable is a great feature and a no-brainer. That is reserved for the VENICE. Privacy Policy. The FX6 doesnt feature any type of IBIS, instead you need to use post stabilization to improve shake. Looking at just the specs, not much has changed on the FS5 II compared to the FS5. Shutter Speed: 60i: 1/8 to 1/10,000 Both the FX6 and the FS5 M2 will be part of Sonys line up going forward. Videomaker is always looking for talented, qualified writers. Fujifilm X-H2S review: Fujifilms affordable ProRes 6.2K beast. Uploading clips to FTP, FTPS, or other servers, Uploading clips partially by marking in and out points, Uploading clips partially and an EDL based on storyboards, Assigning Essence Mark lists to buttons, Synchronizing the timecode of multiple camcorders, Making setting of network functions for connected devices. The monitor on the C200 is nicer than the FS5 II, and overall, the C200 is a bit more robust of a camera. But unlike with the FX9, you dont need to use the large, expensive XDCA-FX9 extension kit to do this. *S&Q from 1-60fps is available in these modes, however, it isnt available if you are outputting RAW over SDI. The AF system is also claimed to work really well in low light situations. The location offered many beautiful shooting situations. It felt nice in-hand, allowing simple shooting at both low and high angles. It will pick up room noise. The FX6 is an intriguing camera and its release signals that Sony has had to reconsider its strategy when it comes to producing cameras that start to overlap with some of their higher end options. It will be interesting to see how many potential FX9 buyers will now be rethinking their decision. Lets have a look at how the Sony FX6 compares to these other options. If they had have put the FX9 sensor in the FX6 then they would have had to cripple the camera by reducing frame rates, codec options, etc. Once in New York City, we shot around and in the High Line urban park area. Ive worked with the Sony FS7 a bunch, but I dont think Ive worked with the Sony fs5 before. From all reports the UHD 120p is very good on the a7S III, so it fairly safe to assume that the same will be true with the FX6. The Sony PMW-F5 CineAlta Digital Cinema Camera features an 8.9 MP Super35 image sensor capable of capturing 2K and HD internally in Sony's XAVC codec onto SxS PRO+ memory cards, and 4K and 2K raw to an optional Sony AXS-R5 external recorder. The URSA Mini is also cheaper and does shoot 4K 4.6k in fact but has the drawback of weighing about 5lbs and lacks the ease of use of the FS5. This is the exact same LCD that comes with the FX9. So does the electronic ND. Just like on the FX9, the FX6 has the same touchscreen operation available from its LCD screen. Its really everything that would improve photo-first cameras. Sony PXW FS7 and Tentacle Sync setup You said the mic is plugged into input 2: On your XLR settings, on Channel 2, select input 2. Unlike in-camera or lens stabilization, metadata generated by the FX6s built-in gyro allows you to creatively choose the balance between the level of shake compensation, and the resolution. Just like the FS5, FS5 Mark II, FS7 M2, and FX9, the FX6 utilizes an electronic variable ND system that provides a clear filter and 3 user-definable presets. FS5 is all about choices. When I asked Sony directly if the FX6 was using the same sensor as the a7S III, the response I got was- The sensors in both cameras utilize the same technology.. Sony did a lot of things right with the FS5 that, in our opinion, they got wrong with the FS7. With the end trigger recording, you can tell the camera when to end the shot and it will record the few seconds before that. This is a major problem if you want to run the camera on a gimbal and need to remove the top handle. Sure it is always nice to have the latest and greatest, but often it makes no financial sense to buy a new camera if your existing camera is already working well for you. Given the target audience for the FX6, this is something a lot of users are going to appreciate. A native ISO that high is a big bummer. Low budget filmmakers, semi-pro videographers or hobbyists probably wont get enough benefit out of the FS5 to justify the cost. Another great improvement with the FS5 is that there is now a viewfinder. Complain all you like, but you tell me what else Sony could have done from a business perspective that made more sense. Even though it falls under the Cinema Line this camera is very much a blend of the Cinema and alpha cameras. If youre used to DSLRs and mirrorless cameras, then you might also be happy to find that the FS5 is not bogged down by having a 30 minute record time limit, a short battery life or any overheating issues, and it has 2 XLR inputs. | Review, The Canon EOS R50 is the perfect camera for beginners | Review, Blackmagic Pocket Cinema Camera 6K G2 review: A beautiful image in a lackluster package. It has also has two XLR inputs and a hot shoe. The FS5 II has great slow-motion frame rates with the option to shoot up to 960 frames per second internally. Part one of Alister Chapmans expert camcorder advice. Youre probably thinking of the channels as stereo pairs, with each If you have a great idea youd like to share with our readers, send it to editor@videomaker.com. The 8-second cache recording means no more mis-timed shots leading to extra takes. Grab and shoot with Sonys entry-level 4K Super 35-mm camcorder. Page 28: Attaching The Microphone
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